An integral part of Maryniuk's figurative system – his experience in monumental art. Hence- decorativism, the individuality of forms and lines. Hence the profound interest of the Ukrainian traditions of monumental art (Boychuk's school), combined with experience in Ukrainian folk and modern European trends.
Among the Odesa group artists, Viktor Maryniuk has a unique, awe-inspiring, and delicate attitude to form and plasticity.
Behind the external conventionality is hidden meaningful content. The combination of own thoughts and worries with the primary, deep values of a person generating a restless, irrational, at the same time, intellectual and significant reality.
In today's world, where the art reaches the impersonality level, the artworks of Maryniuk, with emphasis on what makes us humans, remain a protected area of humanity. The artist paints the personality, its superior individualism, self-esteem, and self-confidence. Simple images are filled with tension and calm, ephemerality and fundamentality, unambiguity, and mystery.
Achieving harmony happens through the nervous tension of the pulsating lines. Taking the white space, the line turns into contour. The impulse of the red spot enhances the perception and impression. An earthly woman acquires a mythological depth. With minimal formal and plastic means, the artist expresses and elevates a woman, sacralizes her image. So, without excessive external effects, it makes a woman the center of the universe.